During interference frequency in Urbino turned in hundreds of copies, a small piece of paper containing a DNA signature Concerts (event organizer), a statement against the Wild Bunch.
me my newspaper refuses to sell the cows because he thinks that (given name) is a porn magazine. As I am a minor (eh!), the newspaper does not want problems: No pile for me. So I can not really comment the thickness of the paper, but as I appreciate the courage of those who take the uncomfortable to say the things he did not go, so clear and public, will pitch the story.
Of course I caught the original package in Urbino, stuff that in a few years to sell on eBay is a great fan of money.
Ah, I forgot: if you would respond in case the pile, happy to give space. No porn stuff, though, I recommend it.
And this is what is written on that piece of paper, signed by Peter Fuccio DNA Concerts:
Some of you may have noticed (and take this opportunity to point it out to others)
missing this year from a spectrum of subjects an early
editions, especially in the past, had been presented as one of the greatest architects of
reassegna: The Wild Bunch.
his absence is not accidental, it is the result of simple choice
to bind to other media partners for convenience: the pile is' WAS ORGANIZED BY
interference frequency, reasons for exceptionally serious
I deserve to be known.
the pile, in the person of its director Daniela Federici, not only
is guilty of a sensational breach of its obligations (in
Simply put, we have not been paid the agreed financial contribution
), but also, true to its claimed vocation
scourge of the unrighteous, had the courage to acknowledge Concert
be DNA failed to meet its obligations, and to the same pile, and from the
festival audience, which we served up a demonstration
poor and sold a formula and a lineup that we would not then maintained
these choices from which the pile has been pulled out forcefully.
shame the devil is not the covers, and so this low-level
attempt to evade their responsibilities throwing
economic ethics is revealed to the naked eye for what is
just take a look at the number 548 the then weekly
almost entirely dedicated as in the past, the festival, with the usual generous
reportage on the stand of the pile and its hosts, all intent on showing off
smiles from ear to ear that does not seem to betray any pain or embarrassment
in taking part in a taken for a ride at the expense of their precious
readers (the title reads: "overview of what was
one of the most interesting events of this hot summer. WHEN THE MUSIC IS CULTURE
). So forgive us if
subsequent outcry against the festival
betrayed we feel a little weak for an excuse to hold onto the money, and if
riitenuto we should keep out these samples from our festival
ethics which obviously, like most similar to each other is better not to give
(and do) claim.
